Because OP happenings are fields of experimentation, I make sure to carry this attitude to each photographic set. No two OP events are alike, and neither are the images that they inspire. Color-filtered flashes contrast the lighting in the room, while wide-angle lenses capture the layered mess as it unfolds. But make no mistake: though they are very intentional, there is no rhyme or reason for these experimentations, and I cannot pretend that there is. In the true spirit of the Object:Paradise manifesto, I'm only "orchestrating the chaos."
“Eduard Germis garners movement behind and before the lens. His ability to place himself and the camera within a moment functions in itself as a performance of light and action.
Not only is Germis an important figure in the Prague creative community who documents happenings, but he is also known to create new texts from his subjects with his focus on the intricate rhythms of the human body and its surroundings.”
